We don't know how Baahubali will destroy Bhallaldeva in the concluding part of SS Rajamouli's film. What we know is how Baahubali is demolishing Bollywood's pride: by exposing its temerity to dream big, failure to craft spectacular, big-budget blockbusters and the embarrassing inability to come up to the level of Hollywood.
Like the mammoth statue in Rajamouli's film, Baahubali is falling down on many myths around Bollywood. Unfortunately, there is nobody to grasp the rope and break the fall. Since July 10, when Baahubali -- an event, not a mere film, as its fans proclaim -- was released, Bollywood is getting drenched in a waterfall of scorn. 'Shame', 'Learn from South, Beware', 'Wake up', 'Over paid', 'Hyped up'... are some of the words hurled at Bollywood by Twitter bhakts of Baahubali.
Karan Johar has been quick to salute the mother of all entertainers. He has called Rajamouli the "BAAP" of all directors in India. Even Ram Gopal Verma, has audaciously turned the knife, saying other directors may die of envy and, if Rajamouli doesn't make another film in the next few years, there may not be an industry left.
Frankly, it didn't take Baahubali to show up Bollywood for what it is. Bollywood managed to expose itself by botching up several fantasy films, costume dramas and big-budget productions. The last time Bollywood tried making a big-budget film, it turned out, as Shirish Kunder famously said and later regretted, to be a 150-crore firework that fizzled. Even Shah Rukh Khan couldn't infuse life into a video game masquerading as a movie.
Before that, Salman Khan's misadventure Veer bombed at the box office. The film, a migraine-inducing mishmash of Gladiator, Troy, Spartacus, Conan the barbarianauthored by Salman -- was so tacky and kitschy that one critic commented if "this film succeeds, we should all be a little concerned" and another found it "impossible to appreciate".
Bollywood's record with costume dramas and mythology is so appalling that even after 100 years of cinema, there isn't a single movie that has memorably captured Indian epics like Mahabharata or Ramayana on the big screen. It has left India's treasure-trove of mythology, folklore and history untouched.
When it has tried, the failure has been embarrassing. From Amitabh Bachchan's Ajooba to his son's Drona, Salman's Suryavanshito Shah Rukh's Asoka, the Hindi film industry has been a disaster while dealing with mega-budgets films that rely on VFX, innovative and expensive sets mounted on a large canvas. The result has mostly been farcical, verging on the tragi-comical.
Where are the genuine blockbusters, films that make audience dance in the aisles to their music, clap at the thundering dialogue, whistle and throw coins at the entry of the hero and watch with awe at the choreographed action? Films that pass every cinematic test-- praise from critics, adulation from audience, record-breaking earnings at the box-office-- and yet take film-making to a different stratosphere, triggering comparisons with Hollywood?
Writing about Baahubali, the Guardian asks, "the impressive results only set one to wondering why the American studios don't insist on getting more for their money".
In comparison, Salman's Veer, perhaps the last period film from Bollywood to be reviewed by a foreign critic was derided as 'hokum of the highest order'.
Film-makers south of Mumbai -- Shankar, Rajamouli, Mani Ratnam, AR Murugadoss -- have consistently produced blockbusters that raise the bar several km higher with their imagination, story-telling, VFX, choreography, cinematography, sets and fantastic set-pieces.
Bollywood, meanwhile, remains stuck to formulaic mediocrity in its smug belief that a film starring one of the big stars -- the Khans or Akshay Kumar -- is good enough to guarantee an opening. Unlike directors from the south who believe in meticulously planning details of sets, hunting new locales (Shankar loves to take his viewers to unexplored places like Machu Pichu), exploring new ideas (Rajamouli's Eega had a fly, Shankar's I had a hunchback as the protagonist) and creating something new every time, Bollywood usually relies on the more standard formulae from the south to propagate and preserve the legend of its stars who guarantee an opening.
When actors become the script and the set, films become an ode to their stars, rather than to the director's creativity and imagination. It's something that afflicts the South Indian film industry as well, which has been the source of inspiration for most Bollywood hits in recent times. So even when big money is spent, most of it is burnt on the lead actor, not on the sets or the story. The result is a series of marketing marvels, box-office wonders but creative duds like Bodyguard, Happy New Year, Kick, Son of Sardar --- films that are forgotten after the opening weekend.
While analysing Ra.One, Rediffargued that it failed because the director and its lead actor pulled it in different directions. "The director's vision was to tell his story, and SRK's was to get his 'message' (the goodness of self) across. Somewhere somehow they did not sync with each other. So at the end of the film, SRK's message comes across, but the story flops in the telling."
This usually is the problem with all star-centric films of Bollywood.
There was a time when Bollywood too had director's who dreamt big and believed in delivering a blockbuster every time they conceived a film. At their peak, K Asif (his Mughal e Azamwas India's first real epic), Raj Kapoor, Manmohan Desai and Subhash Ghai were from that great species of filmmakers referred to as 'Showmen'. Perhaps, with the help of today's technology and budgets, they might have thought and even been able to create their own Baahubalis.
But, the showmen are all gone. Today, Bollywood either has big stars who do not wish to experiment too much, or directors who want to experiment but do not have the big stars or the big budgets. Bollywood has some great story-tellers like Shoojit Sircar, Anand L Rai, Rajkumar Hirani and Anurag Kashyap; all kings of the multiplex brand cinema.
But none of them has consistently created cinema that appeals equally to those in the front rows, in the recliners of multiplexes and critics across continents; films that are monster hits in single-screens of dehat and big-screens of Delhi. Unlike Rajamouli and Shankar, they are yet to reveal the kind of magic that transforms a film audience into a screaming, clapping, whistling, madding crowd on the verge of hysteria.
Two decades ago, the Mozart of Madras AR Rehman redefined Indian music. A year later, Prabhu Deva taught Bollywood choreographers new twists, turns and dance floor moves. Let us hope Rajamouli would now inspire Bollywood. And his Baahubali is just the beginning of a new era of the big, bold blockbusters in Bollywood.
SOURCE : firstpost.com |
Tuesday, 20 October 2015
Baahubali shows Bollywood what's Wrong with it : The Inability to Dream Big??
Sunday, 25 January 2015
WhatsApp Desktop Version
There are rumours and then there
are premeditated rumours. WhatApp’s web version was the second one. We
have been hearing about the web client of the the popular messaging app
for a long time now. Yesterday, the company officially announced a web
app that will turn your Google Chrome browser into a WhatsApp window.
Source : iGyaan.in
It is a web app not a native client for
your desktop, that means you need to be connected to the internet on
your phone for the web app to work. It basically mirrors the app on your
phone onto the web site. To use it, you need log onto the WhatsApp web page, scan a QR code with the WhatsApp mobile app, then get to typing your messages from there.
This is necessary, presumably, because
WhatsApp uses your phone number and SMS verifications rather than
usernames/passwords. This currently works on Android, Windows Phone, and
BlackBerry, but not on iOS.
Source : iGyaan.in
One of the main limitations of the app
is its dependence on the mobile network, so if your phone dies because
of the low battery, the web client won’t work either. However, it is
just a start, we expect the company to add more feature and support for
other browsers as well as iOS in coming months.
We tried to connect our Android device with the web client, but it seems the update hasn’t reached the Indian shores yet.
Tuesday, 30 December 2014
Breaking : Mahendra Singh Dhoni has retired from Test cricket with immediate effect. Virat Kohli to lead India at SCG
Mahendra Singh Dhoni has announced retirement from Test cricket with immediate effect, as Virat Kohli will be taking over the charge, starting the fourth Test at Sydney against Australia.
Indian captain Mahendra Singh Dhoni was critical of his team after the conclusion of the third Test against Australia of the ongoing Border-Gavaskar Trophy at the Melbourne Cricket Ground (MCG) on Tuesday. The match came to a draw as India managed to hold on to their nerves at a score of 174 for six while chasing a 384-run target.
“We have found ways to trouble ourselves. We get partnerships but lose wickets in heaps. We need to carry the momentum,” Dhoni was quoted as saying at the post-match presentation while talking about the errors that the visiting side had committed in the Test.
Dhoni however was all praise for Virat Kohliand Ajinkya Rahane, who scored 169 and 147 respectively during India’s first innings and shared a massive 262-run stand for the fourth wicket.
“Fantastic display of batting by Rahane and Kohli. Once you are set and have scored a ton, it is important to build on it,” added Dhoni.
Wednesday, 24 September 2014
The Hindu's open letter to The Times of India | Deepika Padukone Cleavage Controversy
Blogs » By The Way
Published: September 22, 2014 20:42 IST | Updated: September 23, 2014 13:19 ISTAn open letter to Times of India
Radhika SanthanamAnother point of view
Dear Times of India,
There are times when one should keep quiet. If most of the online world is lambasting you, even if you think you’re right it wouldn’t hurt to introspect a little and wonder why people are reacting the way they are. Your response to Deepika Padukone’s fuming tweet and post on Facebook against your article on her, or more specifically on her breasts, is both shocking and unexpected. You could have chosen to apologise. Or you could have chosen to keep quiet. But by doing neither and by misunderstanding the issue entirely, you’ve only dug yourself deeper into a hole.
You’ve started your article in Bombay Times (‘Dear Deepika, our point of view,’ Sept. 21) saying, “As one of the largest media houses in the world with interests in print, TV, radio and online, we approach each medium differently, as do our audiences. There isn’t a one-fits-all formula for either distributing or consuming content across various media.”
It’s true that across media houses each medium is approached differently but editorial values and ethics remain the same. There are still limits to what can be published online and what cannot. By merely brushing aside the problem by stating that “the online world… is chaotic and cluttered — and sensational headlines are far from uncommon,” you’re being unapologetic about your mistakes. ‘Yes, perhaps this may not be right but that’s how things are, so you must get used to it’ is the crux of your message. Indeed the online world is chaotic and cluttered but that should give you and every other media house more of a reason to be careful about the content being posted. Rather you shamelessly admit that you’re choosing to objectify a woman and be sensational.
It makes it worse that you are doing this — and being unrepentant about it — at a time when one of the biggest problems that plagues this country is its treatment of women. Sexist attitudes manifest themselves in different forms — leering, passing offensive remarks, gawking are all at one end of the continuum, crimes against women like rape are on the other end. You cannot cry yourself hoarse about the extreme form while believing it perfectly alright to engage in the more subtle ones. Did I hear you say hypocrisy?
You then ask: “Was Deepika’s hypocrisy for publicity?” Below the question (which you really seem to believe is not a question but the reason why the actor chose to lash out at you), you’ve printed a collage of photographs — photographs that show the actor’s breasts, her cleavage and her legs. The point you’re apparently trying to make here is that Deepika is consciously flaunting her body for photo shoots and other assignments, so why should she take offence when you’re so generously “complimenting” her?
No, TOI, there is a difference between zooming into a woman’s cleavage and making a story out of it with a headline that says “OMG! Deepika’s Cleavage Show” and posting pictures of her that she has posed for voluntarily. The first is a blatant invasion of privacy; the second is her choice. This is the same reason why Katrina Kaif was furious earlier when pictures of her in a bikini with Ranbir Kapoor in Spain were splashed across newspapers. It wasn’t the fact that she was in a bikini that angered her; it was that the pictures were taken and posted without her knowledge and permission. Consent or the lack of it is the issue you’re missing here.
Deepika’s body is her own — she can choose to do whatever she wants with it. By focussing solely on her body parts and commenting on them, you are doing exactly what women fight against everyday — objectification. Your response to her cleavage is no different from that guy on the street who whistles at a woman when she walks by — fully clothed or not — or the man on the bus who leers at a woman when her dupatta slips. What is the difference, really? They are zooming in with their eyes; you’re zooming in with your camera.
You also justify your act saying that men are objectified too. Shah Rukh Khan’s “8 pack” abs also evoke an ‘OMG!” response so what difference is there, you ask. That is not a great defence. Are you seriously saying “We objectify Shah Rukh too… we objectify everyone really… so what’s the fuss all about?”
Is Deepika doing this for publicity? I don’t know, but it can be safe to say that people are asking you the same question.
You don’t need a censor board TOI, but yes, perhaps a few editorial discussions before publishing such stories may not be a bad idea. It could save you all this outrage. Please understand that apart from ‘ownership’— the treatment of a person as an object owned by another — being a characteristic of objectification, ‘denial of subjectivity’ or the lack of consideration for the person’s feelings in question is another. The subject being discussed here was miffed with your post as well as initial response and made it abundantly clear that her subjectivity was denied. All you could have done was considered her response and feelings and apologised. Or really, just kept quiet.
Yours truly,
Some peeved woman on a Sunday morning.
TOI's Point Of View
Read TOI's reply to Deepika here : http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Dear-Deepika-our-point-of-view-/articleshow/43084705.cms
Tuesday, 23 September 2014
Emma Watson "Beauty with Brain" - United Nations' Speech for `HeForShe` Campaign
Emma Watson's moving speech about gender equality and the he for she campaign
To join heforshe: http://www.heforshe.org/
To join heforshe: http://www.heforshe.org/
Emma Watson has become a remarkable young woman — she's even been appointed a U.N. ambassador
"To be the he for she. And to ask yourself if not me who, if not now when."
Her Final Words :
"To be the he for she. And to ask yourself if not me who, if not now when."
Thursday, 18 September 2014
KTM `Stunt Show` VIZAG | Sept. 20th | CMR Central | RC 390/200 Unveiling !
https://www.facebook.com/events/1592365350991088/
Thursday, 11 September 2014
12 Awesome Features of iOS 8
iOS 8 will be coming on September 17th for all the customers, im the mean time take a look at what it has to offer..
1. iOS 8 Has Interactive Notifications
Notifications have come a long way since the first iPhone. In iOS 8, notifications pop up at the top of the screen like they did before. The big difference is that you can interact with those notifications instantly without needing to unlock the screen or open the app. That means you can respond to text messages, calendar invitations, and email faster than ever.
2. iOS 8 Offers Predictive Texting
Using the iPhone's keyboard to write long texts or emails can be annoying, but iOS 8 should improve that experience. The new Quicktype feature is a predictive texting option that offers three suggested words to choose from. It will even look at the message you're responding to and offer "Yes" and "No" options if it's a question.
3. iOS 8 Allows Voice and Video Messages in Group Chats
Group chats are finally getting a makeover in iOS 8. This popular feature now allows you to drop or add people to a conversation and temporarily silence specific groups. It also is taking a cue from Snapchat with video, audio, and location messages that automatically delete after a short time. The location-sharing feature should seem familiar to anyone that used the Find My Friends app before.
4. iOS 8 Has a New Health App
Up until this point, health data gathered from peripherals from Fitbit or Nike could only be viewed in their corresponding apps. In iOS 8, all of your health data is compiled in one place, the new Health app. All of the most important statistics, such as calories burned, heart rate, and sleep times, are all kept and displayed in one place.
5. iOS 8 Improves iCloud
Apple's iCloud storage system had limited uses up until this point, but it can finally stand up to its competitors in iOS 8. Even stealing the name of its biggest competitor, iCloud Drive now offers the ability to store documents, spreadsheets, and PDFs. In addition, photos are automatically saved across all of your devices. Last and maybe most importantly, a family sharing feature means everything bought with the same credit card on iTunes, iBooks, and the App Store can be shared between six people.
6. iOS 8 Allows Texting and Phone Calls on iPads and Macs
If you own multiple Apple devices, then there's almost no need to take your phone out of your pocket. If you have an iPhone with iOS 8, it will connect to your iPad or Mac so that you can use them to recieve phone calls or answer texts. The only catch is that the iPad must also have iOS 8 and the Mac will require OS X Yosemite.
7. iOS 8 Has a Time-Lapse Video Mode
The iPhone's camera is actually one of the best you can get without spending a fortune on a DSLR. It already has a number of great features, but iOS 8 sweetens the deal with the ability to shoot time-lapse videos. It works by recording at a low rate of frames per second, which automatically appears sped up when watched.
8. iOS 8 Apps Get Access to Fingerprint Scanner
If you're like most people, you have a hard time remembering different passwords for all your email accounts, websites, and apps. Instead of using the same password for everything and risk getting hacked, iOS 8 will allow you to sign into your apps using the Touch ID fingerprint scanner. You won't need to worry about apps stealing your fingerprints either, because developers won't have access to the specific data.
9. iOS 8 Makes Siri More Useful
Apple had a bit of a black eye when Siri launched and couldn't do everything that it was supposed to do. It's taken some time, but Siri is finally becoming a useful feature. In iOS 8, Siri gains the ability to respond hands-free whenever you say "Hey Siri". It also adds real-time voice recognition and incorporates Shazam's song identifying capability. Siri also takes advantage of an improved Spotlight search app that returns more relevant results.
10. iOS 8 Adds Instant HotSpots
Setting up hotspots on an iPhone used to be a pain, but turning your iPhone into a HotSpot for your Mac is easy in iOS 8. The Instant HotSpot feature works with Macs updated to OS X Yosemite and lets it use your mobile internet connection. It also brings the new Handoff feature that lets you transfer your current tasks from one device to the other. For example, say you're writing an email on your Mac and you need to go to the bathroom -- instead of waiting to finish it, now you can transfer your progess over to your iPhone.
11. iOS 8 Uses Location-Based Lock Screen Apps
Why navigate through your long list of apps to find the one you need when your phone already knows what you want? The lock screen in iOS 8 adds an app button that changes based on your current location. For example, if you're out shopping, then the closest store's app will appear. Swipe up from the bottom of the screen to instant access or download the app.
12. iOS 8 is Compatible with Most Apple Devices
If you're still clinging to your iPhone 4, then it's time to get a new phone, because it's the only device left behind by iOS 8. Every other Apple device that was compatible with iOS 7 is compatible with this upgraded version. That includes all iPhones since the iPhone 4s, all iPads since the iPad 2, and the 5th generation iPod Touch.
Tuesday, 1 April 2014
Monday, 31 March 2014
MH370 Flight Incident
Malaysia Airlines Flight 370 (MH370/MAS370), also marketed as China Southern Airlines Flight 748 (CZ748) through a codeshare, was a scheduled international passenger flight from Kuala Lumpur International Airport to Beijing Capital International Airport (a distance of 4,399 kilometres (2,733 mi)). On 8 March 2014, the aircraft flying the route, a Boeing 777-200ER, went missing less than an hour after takeoff. Operated by Malaysia Airlines (MAS), the aircraft carried 12 crew members (all Malaysian nationals) and 227 passengers from 14 nations.
A joint search and rescue effort, later reported as the largest in history, was initiated in the Gulf of Thailand and the South China Sea. The search area was later extended to include the Strait of Malacca, Andaman Sea, and the Indian Ocean. On 15 March, investigators believed that the aircraft had first headed west back across the Malay Peninsula, then continued on a northern or southern track for approximately seven hours.
Two satellite images taken on 16 and 18 March showed potential aircraft debris in the southern Indian Ocean southwest of Western Australia, prompting increased search activity in the area. On 24 March, the Malaysian government confirmed analyses by the British Air Accidents Investigation Branch (AAIB) and Inmarsat concluded "beyond any reasonable doubt" that the aircraft had gone down in the southern Indian Ocean with no survivors.
Since 22 March, there have been almost daily sightings of marine debris in the search area made by various countries' satellites.However, none of the photographed objects have been positively confirmed as belonging to the missing aircraft. Revised estimates of the flight's remaining fuel for its untracked route after losing radar contact, caused on 28 March a move of the search area to 1,100 kilometres (680 mi) north-east of the previous search area.
On 29 March 2014, the Government of Malaysia and the AAIB stated that, in accordance with the protocols detailed in International Civil Aviation Organization (ICAO) Annex 13 concerning aircraft accident investigation, an international team will investigate the loss of the flight.
Disappearance
The flight departed from Kuala Lumpur International Airport on 8 March 2014 at 00:41 local time (16:41 UTC, 7 March) and was scheduled to land at Beijing Capital International Airport at 06:30local time (22:30 UTC, 7 March). It climbed to its assigned cruise altitude of 35,000 feet (11,000 m) and was travelling at 471 knots (872 km/h; 542 mph) true airspeed when it ceased all communications and the transponder signal was lost. The aircraft's last known position on 8 March at 01:21 local time (17:21 UTC, 7 March) was 6°55′15″N 103°34′43″E, corresponding to the navigational waypoint IGARI in the Gulf of Thailand, at which the aircraft was due to alter its course slightly eastward.[21] Military tracking shows that the aircraft descended as low as 12,000 feet (3,700 m) after taking a sharp turn toward the Strait of Malacca. The sharp turn seemed to be intentional as normally it would have taken two minutes for the aircraft to make such a turn, and during that time there was no emergency call.
The crew was expected to contact air traffic control in Ho Chi Minh City as the aircraft passed into Vietnamese airspace just north of the point where contact was lost. The captain of another aircraft attempted to reach the crew of Flight 370 "just after 1:30 a.m." to relay Vietnamese Air Traffic Control's request for the crew to contact it; the captain said he was able to establish contact, and just heard "mumbling" and static.
Malaysia Airlines (MAS) issued a media statement at 07:24, one hour after the scheduled arrival of the flight at Beijing, stating that contact with the flight had been lost by Malaysian ATC at 02:40. MAS stated that the government had initiated search and rescue operations.It later emerged that Subang Air Traffic Control had lost contact with the aircraft at 01:22 and notified Malaysia Airlines at 02:40. Neither the crew nor the aircraft's onboard communication systems relayed a distress signal, indications of bad weather, or technical problems before the aircraft vanished from radar screens. The last words that Malaysian air traffic controllers heard were those of the co-pilot saying, "All right, good night
Malaysia Airlines flight MH370 has been lost in the southern Indian Ocean, the Malaysian prime minister has said, following analysis of data by British satellite operator Inmarsat. However, its precise whereabouts and the chain of events remain a mystery.
What do we know about the plane's disappearance?
00:41, 8 March: Malaysia Airlines Flight MH370 departed from Kuala Lumpur International Airport on Saturday, 8 March (16:41 GMT, 7 March), and was due to arrive in Beijing at 06:30 (22:30 GMT).
Malaysia Airlines says the plane lost contact less than an hour after takeoff. No distress signal or message was sent.
01:07: The plane sent its last ACARS transmission - a service that allows computers aboard the plane to "talk" to computers on the ground. Some time afterwards, it was silenced and the expected 01:37 transmission was not sent.
01:19: The co-pilot was heard to say "All right, good night" to Malaysian air traffic control.
A few minutes later, the plane's transponder, which communicates with ground radar, was shut down as the aircraft crossed from Malaysian air traffic control into Vietnamese airspace over the South China Sea.
01:21: The Civil Aviation Authority of Vietnam said the plane failed to check in as scheduled with air traffic control in Ho Chi Minh City.
02:15: Malaysian military radar plotted Flight MH370 at a point south of Phuket island in the Strait of Malacca, west of its last known location. Thai military radar logs also confirmed that the plane turned west and then north over the Andaman sea.
08:11: (00:11 GMT, 8 March) Seven hours after contact with air traffic control was lost, a satellite above the Indian Ocean picked up data from the plane in the form of an automatic "handshake" between the aircraft and a ground station.
This information, disclosed a week after the plane's disappearance, suggested the jet was in one of two flight corridors, one stretching north between Thailand and Kazakhstan, the other south between Indonesia and the southern Indian Ocean.
08:19: There is some evidence of a further "partial handshake" at this time between the plane and a ground station but experts are still working on analysing this data, the Malaysian transport minister said on 25 March.
09:15: (01:15 GMT) This would have been the next scheduled automatic contact between the ground station and the plane but there was no response from the aircraft.
What happened next?
The plane's planned route would have taken it north-eastwards, over Cambodia and Vietnam, and the initial search focused on the South China Sea, south of Vietnam's Ca Mau peninsula.
But evidence from a military radar, revealed later, suggested the plane had suddenly changed from its northerly course to head west. So the search, involving dozens of ships and planes, then switched to the sea west of Malaysia.
Further evidence revealed on Saturday 15 March by the Malaysian Prime Minister Najib Razak suggested the jet was deliberately diverted by someone on board about an hour after takeoff.
After MH370's last communication with a satellite was disclosed, a week after the plane's disappearance, the search was expanded dramatically to nearly three million square miles, from Kazakhstan in the north to vast areas of the remote southern Indian Ocean.
Then, on 20 March, Australian search teams revealed they were investigating two objects spotted on satellite images in the southern Indian Ocean and sent long-range surveillance planes to the area, followed by further sightings. An Australian ship arrived in the area and further vessels are on their way.
At 1400 GMT on 24 March the Malaysian prime minister announced that following further analysis of satellite data it was beyond doubt that the plane had gone down in this part of the ocean.
This was based on Inmarsat and UK air accident investigators' analysis of the data relayed between the plane and ground station by satellite.
More potential debris was spotted by satellites but on 28 March the main search area was moved 1,100km (684 miles) to the north-east and closer to Australia, following further analysis of the speed of the plane and its maximum range.
Malaysian officials said that the debris could still be consistent with the new search area as ocean currents may have moved floating objects. However, no debris has yet been verified as being from the plane.
Who was on board?
The 12 crew members were all Malaysian, led by pilots Captain Zaharie Ahmed Shah, 53 and 27-year-old co-pilot Fariq Abdul Hamid.
Police have searched their homes and a flight simulator has been taken from the captain's home and reassembled for examination at police headquarters.
It is now believed that co-pilot Hamid spoke the last words heard from the plane, "All right, good night" - but it it not clear whether this was before or after the Aircraft Communications Addressing and Reporting System (ACARS) had been deliberately switched off.
There were 227 passengers, including 153 Chinese and 38 Malaysians, according to the manifest
. Seven were children.
Other passengers came from Iran, the US, Canada, Indonesia, Australia, India, France, New Zealand, Ukraine, Russia, Taiwan and the Netherlands.
Two Iranian men were found to be travelling on false passports. But further investigation revealed 19-year-old Pouria Nour Mohammad Mehrdad and Delavar Seyed Mohammadreza, 29 were headed for Europe via Beijing, and had no apparent links to terrorist groups.
Among the Chinese nationals was a delegation of 19 prominent artists who had attended an exhibition in Kuala Lumpur.
Malaysia Airlines said there were four passengers who checked in for the flight but did not show up at the airport.
The family members of those on board were informed by in person, by phone and by text message on 24 March that the plane had been lost.
Subscribe to:
Posts (Atom)